Transposable harmonic analysis
Valse sentimentale D.779 Op. 50 n°17 en do majeur
Franz Schubert (1797-1828)
Select major tonality:
Cb Gb Db Ab Eb Bb F C G D A E B F# C#
Part A
It's a succession of four perfect cadences.
%%player_no_voice
L:1/4
Q:1/4=130
M:3/4
%%score { (d c 1 2)|3 }
V:d clef=treble
V:c clef=treble
V:1 clef=treble
V:2 clef=treble
V:3 clef=bass
[V:c] x|"G7"x3|"C"x3|"G7"x3|"C"x3 |
[V:d] x|"V7"x3|"I"x3|"V7"x3|"I"x3 |
[V:1] x|x2 "@8,0 9"a|("@8,0 6"a2 g)|x3|x3 |
[V:2] e|(!accent!"@-8,16 #4"^cd/)z/ [Bd]|[ce]3|"@-8,8 7"f/e/f/G/B/"@-8,8 7"f/|G/e/c/G/c/e/ |
[V:3] z|G,,[G,B,F][G,DF]|C,[G,CE][G,CE]|G,,[G,DF][G,DF]|C,[G,CE][G,CE] |
%
[V:c] "G7"x3|"C"x3|"G7"x3|"C"x2 :|\n[V:d] "V7"x3|"I"x3|"V7"x3|"I"x2 :|
[V:1] x2 "@8,0 9"a|("@8,0 6"a2 g)|x3|x2 :|
[V:2] (!accent!"@-8,16 #4"^cd/)z/ [Bd]|[ce]3|"@-8,8 7"f/e/f/G/B/"@-8,8 7"f/|"@-4,12 1" c2 :|
[V:3] G,,[G,B,F][G,DF]|C,[G,CE][G,CE]|G,,[G,B,F][G,DF]|C,[G,CE] :|
V7
G7
#4
9
I
C
6
V7
G7
7
7
I
C
V7
G7
#4
9
I
C
6
V7
G7
7
7
I
C
1
Part B
It's still a succession of four perfect cadences, but this time modulated to the fifth.
%%player_no_voice
L:1/4
Q:1/4=120
M:3/4
%%score { (d c 1 2) | 3 }
V:d clef=treble
V:c clef=treble
V:1 clef=treble
V:2 clef=treble
V:3 clef=bass
[V:c] x3/2 | "D7"x3 | "G"x3 | "D7"x3 | "G"x3 |
[V:d] x3/2 | "V7"x3 | "I"x3 | "V7"x3 | "I"x3 |
[V:1] x3/2 | x3 | x3 | (^c'2 d') | (e'2 d') |
[V:2] d/c/B/ | A/B/c/d/e/^f/ | g/a/b/c'/d'/e'/ | [^fa]3 | [gb]3 |
[V:3] z3/2 | D,[DA][DA] | G,[BG][BG] | D,[DA=c][DAc] | G,[DGB][DGB] |
%
[V:c] "D7"x3 | "G"x3 | "D7"x3 | "G"x2 |
[V:d] "V7"x3 | "I"x3 | "V7"x3 | "I"x2 |
[V:1] x3 | x3 | x3 | x2 |
[V:2] A/B/c/d/e/^f/ | g/a/b/c'/d'/e'/ | ^f'/e'/f'/c''/b'/a'/ | g'2 |
[V:3] D,[DA][DA] | G,[BG][BG] | D,[DAc][D^Fc] | [GB]2 |
V7
D7
I
G
V7
D7
I
G
V7
D7
I
G
V7
D7
I
G
Full score
%%player_no_voice
T:Valse sentimentale D.779
T:Op. 50, n°17 en Do majeur
C:Franz Schubert (1797-1828)
L:1/4
Q:1/4=130
M:3/4
%%score { (d c 1 2) | 3 }
V:d clef=treble
V:c clef=treble
V:1 clef=treble
V:2 clef=treble
V:3 clef=bass
[V:c] x | "G7"x3 | "C"x3 | "G7"x3 | "C"x3 |
[V:d] x | "V7"x3 | "I"x3 | "V7"x3 | "I"x3 |
[V:1] x | x2 a | (a2 g) | x3 | x3 |
[V:2] e | (!accent!^cd/)z/ [Bd] | [ce]3 | f/e/f/G/B/f/ | G/e/c/G/c/e/ |
[V:3] z | G,,[G,B,F][G,DF] | C,[G,CE][G,CE] | G,,[G,DF][G,DF] | C,[G,CE][G,CE] |
%
[V:c] "G7"x3 | "C"x3 | "G7"x3 |1 "C"x2 :|2 "C"x3 |
[V:d] "V7"x3 | "I"x3 | "V7"x3 |1 "I"x2 :|2 "I"x3 |
[V:1] x2 a | (a2 g) | x3 |1 x2 :|2 x3 |
[V:2] (!accent!^cd/)z/ [Bd] | [ce]3 | f/e/f/G/B/"@-8,4 7"f/ |1 c2 :|2 c3/2 d/c/B/ |
[V:3] G,,[G,B,F][G,DF] | C,[G,CE][G,CE] | G,,[G,B,F][G,DF] |1 C,[G,CE] :|2 C,[G,CE] z |
%
[V:c] |: "D7"x3 | "G"x3 | "D7"x3 | "G"x3 |
[V:d] |: "V7"x3 | "I"x3 | "V7"x3 | "I"x3 |
[V:1] |: x3 | x3 | (^c'2 d') | (e'2 d') |
[V:2] |: A/B/c/d/e/^f/ | g/a/b/c'/d'/e'/ | [^fa]3 | [gb]3 |
[V:3] |: D,[DA][DA] | G,[BG][BG] | D,[DA=c][DAc] | G,[DGB][DGB] |
%
[V:c] "D7"x3 | "G"x3 | "D7"x3 | "G"x3 |
[V:d] "V7"x3 | "I"x3 | "V7"x3 | "I"x3 |
[V:1] x3 | x3 | x3 | x3 |
[V:2] A/B/c/d/e/^f/ | g/a/b/c'/d'/e'/ | ^f'/e'/f'/c''/b'/a'/ | g'2 e |
[V:3] D,[DA][DA] | G,[BG][BG] | D,[DAc][D^Fc] | [GB]2 z |
%
[V:c] "G7"x3 | "C"x3 | "G7"x3 | "C"x3 |
[V:d] "V7"x3 | "I"x3 | "V7"x3 | "I"x3 |
[V:1] x2 a | (a2 g) | x3 | x3 |
[V:2] (!accent!^cd/)z/ [Bd] | [ce]3 | f/e/f/G/B/"@-8,4 7"f/ | G/e/c/G/c/e/ |
[V:3] G,,[G,B,F][G,DF] | C,[G,CE][G,CE] | G,,[G,DF][G,DF] | C,[G,CE][G,CE] |
%
[V:c] "G7"x3 | "C"x3 | "G7"x3 |1 "C"x3 :|2 "C"x3/2 |]
[V:d] "V7"x3 | "I"x3 | "V7"x3 |1 "I"x3 :|2 "I"x3/2 |]
[V:1] x2 a | a2 g) | x3 |1 x3 :|2 x3/2 |]
[V:2] (!accent!^cd/)z/ [Bd] | [ce]3 | "@-8,4 7"f/e/f/G/B/f/ |1 c3/2 d/c/B/ :|2 c3/2 |]
[V:3] G,,[G,B,F][G,DF] | C,[G,CE][G,CE] | G,,[G,B,F][G,DF] |1 C,[G,CE] z :|2 C,[G,CE]/ |]
Valse sentimentale D.779
Op. 50, n°17 en Do majeur
Franz Schubert (1797-1828)
V7
G7
I
C
V7
G7
I
C
V7
G7
I
C
V7
G7
7
I
C
I
C
1
2
V7
D7
I
G
V7
D7
I
G
V7
D7
I
G
V7
D7
I
G
V7
G7
I
C
V7
G7
7
I
C
V7
G7
I
C
V7
G7
7
I
C
I
C
1
2